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Lace, Caviar, and Couture: Inside Galia Lahav’s Fall 2027 Bridal Fashion Week Show

Lace, Caviar, and Couture: Inside Galia Lahav’s Fall 2027 Bridal Fashion Week Show

Written By Danielle Naer

October 22, 2026

There are few occasions for which one is encouraged to indulge quite like a wedding. And on Tuesday, October 13, indulgence was very much on the menu at Carton House in New York City, where some 100 guests gathered for an intimate, salon-style presentation of Galia Lahav’s Fall 2027 collections during New York Bridal Fashion Week.


Inside, the mood was decidedly old-world: velvet banquettes, graphic Art Deco-inspired floors, and circular chandeliers of glowing glass orbs overhead set the tone.

Editors, industry insiders, and friends of the house settled into seats wrapped around the presentation space, trading stories about their favorite Galia Lahav gowns and their own fond memories with the brand—one guest spoke of wearing the designer down the aisle themselves; another spoke of accompanying a friend to their bridal appointments, watching the magic unfold from the fitting-room sidelines. Champagne flowed as servers from Peter Callahan’s catering team offered caviar perched atop edible rings and bite-sized grilled cheeses. Brides-to-be gleefully slipped the rings onto their fingers, holding out their hands to show off their new, albeit temporary, bling. (A rather fitting way to serve a delicacy at a bridal show, no?)

The morning’s main attraction, however, was still to come: two collections, No Filters and One of One, that would make a persuasive case for turning the bridal drama all the way up. As the lights dimmed, the first collection, No Filters, made its entrance. Conceived around the idea of a bride at her most authentically herself, the lineup was anything but restrained. Lace! Corsetry! Plenty of exposed skin! Models emerged from behind a velvet curtain, sauntering back and forth in Dolce Vita heels with deliberate hip sways and dramatic skirt turns. The beauty looks, courtesy of Beautick, with hair led by Anna Cecchi Smith and makeup by Joey D, completed the picture. Rather than the usual runway march, the presentation unfolded almost like a series of bridal portraits come to life, with each model pausing to pose and show off her gown from every angle.

The dresses were equally theatrical. Sculpted bodices gave way to asymmetric skirts, intricate lace revealed generous expanses of skin, and draping drew the eye toward the hips and thighs. One particularly memorable look featured gathered lace cascading from the waist, with a dramatic train framing an exposed leg. Elsewhere, a delicate, detachable bolero lent a regal air to the gown beneath it. One could easily imagine the look making its debut in an Italian church, the bolero being whisked away before the bride emerged into the afternoon sunshine. Traditional bridal romance and unabashed sensuality, it seemed, could happily coexist.

Following a brief champagne intermission, the presentation resumed with One of One, the house’s Fall 2027 couture collection. Its inspiration? The singular women who have defined style on their own terms over the course of generations. Galia Lahav looked to the golden age of couture in the 1960s, when stars like Elizabeth Taylor, Brigitte Bardot, Grace Kelly, and Audrey Hepburn possessed such distinct personal styles that imitating them was practically beside the point. The same fascination extends to contemporary figures like Lady Gaga and the Kardashians: women whose fashion choices are unmistakably their own. For Lahav, that spirit of individuality was the point of departure for a collection devoted to the art of being impossible to duplicate.

And the gowns certainly weren’t made for blending in. The standout was an internet-breaking polka-dot creation with daring cut-outs at the hips, which would go on to become one of the week’s most talked-about looks. Picture Grace Kelly in To Catch a Thief, reimagined for a bride with a taste for the theatrical: a sun-drenched Italian palazzo, a glittering expanse of Mediterranean water, and a dress that could hold its own against either. Elsewhere, dramatic proportions and elaborate constructions made for plenty of head-turning moments, with the models continuing their high-octane procession through the room.

By the time Galia Lahav herself and head designer Sharon Sever emerged to applause, the morning had made one thing abundantly clear: this was not bridal fashion for the faint of heart. Between No Filters’ sultry lace and One of One’s larger-than-life glamour, the house had offered two very different propositions for the modern bride, united by a shared appetite for individuality. Guests departed with goodie bags containing baroque-print silk scarves from the house itself, offering a way to take a little of the morning’s dialed-up panache home with them—whether knotted around the hair, tied to the handle of a favorite bag, or draped around the neck for good measure. After all, who says the drama has to stop when the show is over?

Venue: Carton House, New York City

Catering: Peter Callahan

Footwear: Dolce Vita

Hair: Beautick (@Beautick_official, @Beautick_americas)

Key Hairstylist: Anna Cecchi Smith (@annacecchismith) for Beautick

Makeup: @makeupschoolnyc for Beautick

Key Makeup Artist: @joeydmakeup

Additional Partner: @Beppedeliaofficial

Photos:@thedeareststill @catherinerose.photography @citylux

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